“We have not even to risk the adventure alone, for the heroes of all time have gone before us. The labyrinth is thoroughly know. We have only to follow the thread of the hero path…And where we had thought to be alone, we will be with all of the world.”—Joseph Campbell, The Power of Myth
The epic historical fantasy, APOLLO’S RAVEN, is the first novel in the Spirit Warrior Chronicles set in 1st Century Britain and Rome. The primary character is Catrin, a Canatiaci warrior princess in southeast Britain. Not only is she trained as a warrior, but she uses raven mystical powers to help her parents defend their kingdom against a rival tribal king and her half-brother. She meets the great-grandson of Marc Antony, Marcellus, when he accompanies his father, a Roman senator, to arbitrate a settlement between the rival tribal kingdoms. Catrin and Marcellus bridge their cultural differences and form an unlikely friendship that develops into a deeper relationship which could threaten the political powers in Britain and Rome.
This unpublished novel is inspired by historical accounts and mythology of Celtic heroines who had significant roles as warriors, rulers, and spiritual advisers in the Celtic society. Celtic women were distinctly different from their Greek and Roman counterparts, as they had more liberty, legal rights, and status. This may be due, in part, because females often fended for themselves at home while their menfolk plundered, invaded, or served as mercenaries in foreign lands. Ancient classical historians also provided accounts that women incited, participated, and led battles.
Celtic Heroine Warriors
Classical writers described Celtic females as not only strong and courageous warriors, but they were beautiful with comely bodies. Classical writer Diodorus wrote Celtic women were “nearly as tall as the men, whom they rivaled in courage.”
Roman historian Marcus Borealis further elaborated: “The women of the Celtic tribes are bigger and stronger than our Roman women. This is most likely due to their natures as well as their peculiar fondness for all things martial and robust. The flaxen haired maidens of the north are trained in sports and war while our gentle ladies are content to do their womanly duties and thus are less powerful than most young girls from Gaul and the hinterlands.”
Ammianus Marcellinus wrote a lively description of Celtic woman in battle as follows: “…a whole band of foreigners will be unable to cope with one [Celt] in a fight if he calls on his wife, stronger than he by far and with flashing eyes; least of all when she swells her neck and gnashes her teeth, and poising her huge white arms, begins to rain blows mingled with kicks like shots discharged by the twisted cords of a catapult.”
Though men usually held the highest political authority, it was not uncommon for women to rule as queens and military commanders. The 1st-century Roman historian Tacitus wrote the Britons “are used to women commanders in war,” and offered detailed reports on the exploits of two warrior queens—Cartimandua and Boudicca.
Celtic Heroine Queens
The Sleek Pony
Cartimandua, known as the sleek pony, was queen of the Brigantes, a vast tribal confederation in north-central Britain. Although Cartimandua ruled with her husband, Venutius, she held the real power to the kingdom. When the Romans invaded in 43 AD, both Cartimandua and Venutius realized the political advantages of siding with the aggressors and thus their kingdom because a thriving Roman client state around 50 AD.
However, Cartimandua lost popularity among her subjects when she betrayed the famous rebel leader Caratacus, turning him over to the Romans after he had sought asylum in her court. Her power eroded when she divorced Venutius and then married his armor bearer who she made the new king. Her actions prompted a civil war with her former husband, the Romans entering the fray and helping her to defeat Venutius in 71 AD. Though she may not have been viewed favorably in history, she still nonetheless was a powerful leader.
Boudica was a charismatic warrior queen who united several British tribes to drive the Romans out of Britain in 61 AD. A bronze statue of Boudica driving her chariot is prominently displayed on the bank of the Thames (London) in honor of her valiant attempt to overcome her oppressors. Roman historian Dio Cassius described her as “very tall in stature, in appearance most terrifying, in the glance of her eye most fierce, harsh in voice…and with a great mass of bright red hair falling to her hips.”
Like the Brigantes, the Iceni had formed an alliance with the Romans that at first gave them prosperity and independence. That changed when her husband, King Prasutagus, died in 60 AD and she became the leader of the Iceni. He willed half of his personal estate to Rome in the hope the gesture would demonstrate his fealty and appease the Roman Nero. The other half was bequeathed to Boudica.
But Nero would not settle for half the fortune—particularly to a mere woman. He ordered his subordinates to seize Boudica’s estate and annex the Iceni territory. When Boudica protested, the Roman soldiers flogged the queen and raped her two teenage daughters.
But the Romans would soon face her fury. The details of this rebellion will be provided in the next post.
Jeannine Davis-Kimball, Ph.D., Warrior Women: An Archaeologist’s Search for History Hidden Heroines; 2002; Warner Books, Inc., New York.
Cassius Dio: The Neronian Revolt of the Iceni under Suetonius Paullinus; Book LXII, Chapters 1-12 (AD 61)
Ammianus Marcellinus: The Roman History of Ammianus Marcellinus, published in Vol. I of the Loeb Classical Library edition, 1935; Book XV, 12 The Manners and Customs of the Gauls.