Elen of the Hosts: Goddess of Sovereignty, King Maker, Warrior Queen of the Britons

Introduction Elen of the Hosts

The following is a reblog of a post entitled, Elen of the Hosts: Goddess of Sovereignty, King Maker, Warrior Queen of the Britons
This article was first published #FolkloreThursday.com as British Legends: Elen of the Hosts – Saint, Warrior Queen, Goddess of Sovereignty on 21/06/2018 by zteve t evans

Historically, Elen of the Hosts was a real woman who lived in the 4th century, but in British legend and Welsh and Celtic mythology, may go back even further. She appears to have been a woman of many roles that have grown and evolved over the centuries to the present day.

Today, Elen is best known for her part as the subject of the affections of the emperor of Rome in the strange tale of The Dream of Macsen Wledig, from the Mabinogion. The story depicts her as a mysterious,  powerful woman who knows how to gets what she wants and appears linked to the giving and taking of sovereignty. The post discusses who Elen was and how she has changed and evolved over the centuries.

One of the most interesting abilities Elen possessed was the power of the dream. There are many arguments about the purpose of the dream, and what follows is a modern idea of how many people view the dream and Elen. Many people today see the dream that Macsen experienced as more than an ordinary dream. The lucidity of the dream makes it more of an out of body experience or form of astral projection rather than an ordinary dream. In Celtic and Irish tradition this kind of experience is known as an aisling, which is a kind of dream that supplies a strong spiritual message to the dreamer. The purpose of the dream experienced by Macsen appears to have been to draw him from Rome to Elen in Britain.

Under the influence!

This article was first published #FolkloreThursday.com as British Legends: Elen of the Hosts – Saint, Warrior Queen, Goddess of Sovereignty on 21/06/2018 by zteve t evans

fantasy-3629943_1920 Image by kellepicsPixabayCC0 Creative Commons

Elen of the Dream

Historically, Elen of the Hosts was a real woman who lived in the 4th century, but in British legend and Welsh and Celtic mythology, may go back even further.  She appears to have been a woman of many roles that have grown and evolved over the centuries to the present day. Today, Elen is best known for her part as the subject of the affections of the emperor of Rome in strange tale of The Dream of Macsen Wledig, from the Mabinogion. The story depicts her as a mysterious woman of power who knows how to gets what she wants and appears linked to the giving and taking of…

View original post 833 more words

Ancient Celtic Religion: Ancestral Gods and Mother Goddess

Depona-and-her-horses

Myths of the Great Goddess teach compassion for all living beings. There you come to appreciate the real sanctity of the earth itself, because it is the body of the Goddess—Joseph Campbell

Introduction

As we continue exploring the mystique of the Ancient Celtic religion, we discover their beliefs have similarities to the Greeks and Hindu Brahmins. The belief in the immortal soul can be tied to the darker Celtic side of keeping enemy heads so they can capture their power. There were 374 names of gods and goddesses recorded throughout the vast area once inhabited by the Celts in Europe, from Ireland to Turkey. Of these names, about 305 of these only occurred once and are thought to be names of local deities particular to each tribe. Only twenty names occur with great frequency in the areas where the Celts once resided and were often associated with the Roman pantheon of deities.

Unfortunately, written accounts by the Celts were sparse. Today, we must rely on Greek and Roman writers, Irish Christian monks, and archaeological artifacts to piece the Ancient Celtic religion together. Classical writers were biased by their perception of Celts being barbarians. Celtic myths written by Christian monks were heavily redacted to reconcile them with the Christian beliefs. Even though the evidence is fragmentary, we can glimpse some of the religious ideas and rituals connected with the pantheon of Celtic deities and their roles by studying the mythology and comparing it to archaeological evidence.

Below is an overview of how the ancient Celts viewed their ancestral god and their belief that the Mother Goddess was involved in the creation of the universe.

Collapse White Cliffs Wall Britain

Coastal White Cliffs Near Dover, Britain


Ancient Celtic Religion

Ancestral Gods

Caesar and the insular literature indicate the Celts did not look upon their gods as creators but as their ancestors—more as supernatural heroes and heroines. In the lives of these gods and heroes, goddesses, and heroines, the lives of the people, in their emerging patriarchal society and the essence of their religious traditions, were mirrored. The gods and goddesses were depicted as human and were subject to all the natural virtues and vices in an idealized form: love of nature, arts, games, feasts, hunts and heroic single-handed combat. Their intellectual powers were equal to their physical abilities. This depiction of gods as ancestors also appears in Hindu myth and saga.

Panel on Gundstrup Cauldron

Cernunnos, Antler-God of the Forest, Portrayed on Panel of Gundestrup Cauldron

Pomponius Mela, a Roman historian at the time of Claudius 43 AD, states, “The Druids profess to know the will of the gods.” Hence, the Druids were viewed as the conduits between the moral and immortal world. There is an old Irish passage in which the Druids, like the Hindu Brahmins, boasted they had made the sun, moon, earth and sea. In Vedic mythology (historical predecessor to modern Hinduism), creation began with space (aditi) in which sky and earth were formed and were regarded as the original male and female elements.

Lunar Eclipse

Blood Moon


Mother Goddess

The ancient Irish bards deemed the river’s edge, the brink of the water, was always that place where wisdom, knowledge and poetry were revealed. Irish tales suggest the Ancient Celts believed creation evolved around the Mother Goddess.

Rhône River Hillside

Saône River Hillside Near Lyon, France

In one tale, the children of the Mother Goddess, Danu, arrive in Ireland to battle the evil Fomorri, whose own Mother Goddess is Domnu. The Irish epic tells of several struggles between the Children of Domnu, representing darkness and evil, and the Children of Danu, representing light and good. Only after the Children of Danu break the powers of the Fomorri at the second Battle of Magh Euireadh did the good gods prevail. Interestingly, the Children of Domnu are never completely overcome or eradicated from the world.

The Children of Danu came from four fabulous cities where named Druids taught them skill, knowledge and perfect wisdom. Further, the Children of Danu brought special treasures from these cities:

  • Lia Fáil (Stone of Destiny) from Falias
  • Sword from Gorias (the forerunner of the famous Excalibur)
  • Spear of victory from Finias
  • The Dagda’s cauldron of plenty from Murias
Celtic Cauldon Gundstrup

Gundestrup Cauldron

The Dagda is portrayed as the father of the gods in this epic tale. This is significant because The Dagda is Danu’s son by Bilé. As the sacred waters leave from the heavens, Danu waters the oak, Bilé’s male fertility symbol, and gives birth to The Dagda—the good god who fathers the rest of the gods.

Dagda Gundestrup cauldron

The Dagda Portrayed on Gundestrup Cauldron

Bilé is the Old Irish word for a sacred tree which was also used to denote a ‘noble warrior.” Bilé’s role in transporting the souls of the dead Celts to the Otherworld is significant. Transportation is usually via rivers like the Thames or out to the sea. In essence, he transports souls to the divine waters – his consort Danu, the Mother Goddess. Hence, Danu takes precedence as the primary source of life. More will be discussed below about the association of Bilé with Apollo.

Cork Oak Tree at Arundel Castle and Gardens

Cork Oak Tree; ‘Druid’ derived from ‘dru-wid’ — “Oak Knowledge”


Overview of Celtic Dieties

Celts did not visualize gods with exclusive roles. Not only did their deities have different functions – and therefore were polyvalent— they also appeared in various forms—and thus were polymorphic. Another common feature associated with these deities is votive offerings that were offered at lakes and rivers to win the favor of the gods. Their links with water, trees, and groves suggest the Celts worship earth gods as opposed to the sky gods of the Greeks and Romans.

Bath Roman Bath Britain, dedicated to Celtic goddess Sulis, whom the Romans identified with Minerva

Bath Roman in Bath Britain; Dedicated to Celtic goddess Sulis, whom the Romans identified with Minerva

Julius Caesar associated the Celtic gods in Gaul with Roman deities as follows:

“They [Celts] worship chiefly the god Mercury; of him there are many symbols, and they regard him as the inventor of all the arts, the guide of travelers, and as possessing great influence over bargains and commerce. After him they worship Apollo and Mars, Jupiter and Minerva. About these they hold much the same beliefs as other nations. Apollo heals diseases. Minerva teaches the elements of industry and the arts. Jupiter rules over the heavens and Mars directs war.”

Minerva, Goddess of Wisdom

Minerva, Roman Goddess of Wisdom

Caesar also recorded the Celts in Gaul believed they were descended from Dispater, which the Romans associated with the god of the underworld and of the night. The 18th Century French Historian, Henri D’Arbois de Jubainville, identified the Dispater as the Celtic god Bilé (also known as Bel, Belinus and Belenus). His feast day was celebrated on 1 May (Beltane). As discussed above, Bilé appears to be a god of the dead and is portrayed as Danu’s consort.

Beltane Celebration

Bonfire During Beltaine Festival Celebrated 1st May

Writing a century after Caesar, the Roman poet Lucan gave particular prominence to the names of three gods: Teutates, Taranis and Esus. Taranis could be equated with Jupiter, as the name survives as toran in Welsh and torann in Irish which are interpreted as meaning thunder. Esus was considered to be equivalent to the god of war Mars.

Teutates Celtic God of War on Gundstrup Cauldron

Teutates on Gundestrup Cauldron

Celtic gods were often depicted with female companions. When patriarchy replaced the “mother goddess” concept, the new male gods had to consort with the old female river goddesses to retain continuity with the old beliefs. A raven, the Celtic symbol of death and battle, perches at their feet. The marriage of a chieftain god with a Mother Goddess was viewed as assuring the people of protection and fertility.

Mythological Raven

The Raven, Celtic Symbol of Death and Battle

After Christianity achieved dominance in the Celtic world, the ancient gods were relegated to dwell in the hills. In Irish, the word sidhe means mound or hill and denotes the final dwelling places of the Dé Nanaan, the Immortals, after their defeat by the Milesians. The ancient gods, thus driven underground, were relegated in folk memory as the des sidhe, the people of the hills or in later folklore as simply fairies. The most famous fairy is the banshee (bean sidhe), the woman of the fairies whose wail and shriek portends a death. Each god was allotted a sidhe or hill in Ireland by The Dagda before he gave up his leadership of the gods.

Bilé’s Association with Apollo

To judge from inscriptions, the most venerated god was Belenus who can be most closely equated to Apollo. There is evidence of his cult in southern Gaul and northern Italy, and he may have given his name to Beltane, the Irish festival celebrated on the first of May. Worship of him proved to be enduring. Ausonius of Bordeaux, writing in the 4th Century, mentioned a contemporary of his who was a grandson of Phoebicius, a temple priest of Belenus, and whose family bore names associated with the great Apollonian shrine at Delphi.

Apollo-WaltersArs

Apollo, God of Sun; Associated with Celtic God Bilé, also known as Bel and Belenus

There are many places named after Bilé throughout Europe. In London, Belenus’ Gate is known as Billingsgate (Bilé’s gate). Presumably the heads of the dead at the original Celtic settlement, and later at the Roman occupied city, were taken though this gate to the river Thames—tamesis, the dark or sluggish river. The human heads were used as votive offerings or simply placed for Bilé to transport them to the Otherworld. Hundreds of skulls from the Celtic period have been discovered in the Thames, around London, with other votive offerings.

As previously discussed in APOLLO’S RAVEN, the ancient Celts believed the soul reposed in the head, not in the region of the heart as Western Christians now have it. That is why the head was so venerated and prized. In one Welsh tale, the mortally wounded Bran the Blessed urges his companions to remove his head and take it back to the Island of the Mighty (Britain) for burial. It takes many years and Bran’s head eats, drinks, and instructs the soldiers on the journey back. The head is buried (legend has it that the site was Tower Hill in London) looking toward France so that, in accordance with Celtic custom, he could protect the land against invasion. Many other examples of talking heads of slain heroes are found in Celtic myth.

Stonework at La Roquepertuse Cult of Head

La Roquepertuse Doorway of Skulls

Connecting the many human skulls found in the Thames, together with exquisite swords, shields, helmets and other votive offerings, suggests the Thames could have been a sacred river for the British Celts, occupying the same role as the worship of rivers, springs or wells in Central India.

Celtic Battersea Shield

Celtic Battersea Shield

Bilé was incorporated in many personal Celtic names, the most famous being Cunobeline, who ruled just before the Roman invasion of AD 43. His name means ‘hound of Belinus’. He was later immortalized as the King of Britain in the Shakespearean play entitled, “The Tragedy of Cymbeline.”

To be continued

The next post will provide a more detailed description of the Celtic gods and goddesses.

References

  1. John Davies, The Celts: Prehistory to Present Day; 2005; Sterling Publishing Co., New York.
  2. Julius Caesar, translated by F. P. Long, 2005. The Conquest of Gaul; United States: Barnes & Noble, Inc.
  3. Peter Berresford Ellis, The Druids, 1995William B. Eerdmans Publishing Co., Grand Rapids, MI.
  4. Steve Blamires, Magic of the Celtic Otherworld: Irish History, Lore & Rituals, 2009, Llewellyn Publications, Woodbury, MN.
  5. Joseph Campbell, The Power of Myth with Bill Moyers, 1991Doubleday, New York, NY.

Women Mythology

Celtic Woman Warrior in Forest

Mystical Celtic Woman

“In the traditional mythological tradition, the woman is there. All she has to do is to realize that she’s the place that people are trying to get to. When a woman realizes what her wonderful character is, she’s not going to get messed up with the notion of being pseudo-male.”

—Joseph Campbell

Women Mythology

Since childhood, ancient mythology has fascinated me because of the significant roles that women played in the tales. They were powerful goddesses, mothers, warriors, creators, and destroyers. Women were not only associated with fertility and birth, but with warfare and destruction.

Epona Flanked by Horses

Mother Goddess Epona Flanked by Horses

Women have already had a power that men did not have—the power of creating life. Early ancient civilizations acknowledged this power through the Mother Goddess who ruled supreme over all. The ancients held women’s ability to create new life inside her body in awe and feared the mystical blood flows that synchronized with the phases of the moon. Women were considered magical and the intermediaries between the physical world and spiritual world. They could serve as seers, priestesses, healers, oracles, lawmakers, judges, and agents of the Great Goddess Mother who gave birth to the Universe.

Macha Curses Men of Ulstur

Mythology Women Macha Curses Men of Ulstur

The hero’s journey as described by Joseph Campbell is a journey to the depths of our psyches where we discover spiritual meaning to our lives. It allows us insight into our souls where there are no boundaries between the spiritual and physical worlds. The ancient myths celebrated a female’s courage and cleverness to rescue their family, to be a partner on the hero’s journey, and to spin ways to overcome the giants in their way.

Boudica Statue

Statue of Boudica in London

It is no wonder myths have flourished throughout history because the tales and symbols reflect our universal struggle to find spiritual meaning in our everyday lives. Universal symbols in myths and dreams are connections into our creative, intuitive side. Unfortunately, the evolution of paternalistic societies and the emphasis on science, analytical reasoning, and technology in modern times have often left a void where people feel they cannot connect to each other and discover the spiritual meaning of their own lives.

Statue of Minerva, Roman Goddess of Wisdom and Battle

Minerva, Roman Goddess of Wisdom and Battle

Heroine’s Journey

The heroine’s journey has always existed in epic myths, but it was often understated. Many ancient myths were unfortunately rewritten to reflect the religious and cultural beliefs that depicted women as seductresses and witches, or as pure-minded maidens and mothers.

In today’s society, women oppressed by the hero quest see only two choices:

  • Be the sobbing princess needing rescue
  • Be the hero, taking on the masculine qualities to success

However, the heroine’s true role is neither to be hero or his prize. The power of women was reflected in the worship of the Great Goddesses who battled darkness. Her worship once dominated ancient mankind. She was the earth and sea from which life was created. She offered her feminine qualities of beauty, imagination, and compassion.

But she also offered death and savagery. The primal goddess reigned uncontested for centuries as Ishtar, Morrigan, and Cybele who could be cruel and lustful goddesses.  Many of these tales celebrate the metaphoric death of the inadequate self to resurrect into a higher plan of existence.

Relief Depiction Ishtar

Queen of Night relief often representing Ishtar British Museum

For both men and women, myths helped their passage from childhood into adulthood. In the original ancient tales, heroines were brave, resourceful, and clever. They accustomed to saving themselves and their princes. Myths are the collective conscious of humanity to help the next generation face conflicts and journey to self-discovery.

Complexity Women’s Roles

When I began writing the APOLLO’S RAVEN series, I grappled writing about my heroine, a Celtic warrior princess. Ancient mythology gave me insight into the complexity of women that provides them with both the courage and wisdom to overcome the monsters in their lives. Women not only ascend into the heavens as goddesses, but delve in the Underworld to face the shadowy parts of their souls. From these destructive forces bring forth new life. The heroine must use her darker feminine side to balance compassion and cruelty when overcoming evil forces in her journey.

Triplicate Mother Goddesses Displayed at Bath UK Roman Baths

Triplicate Mother Goddesses Displayed at Bath UK Roman Baths

Only after the heroine understands her dark side can she gain the wisdom to guide others needing her counsel, especially children. The heroine travels between the mortal and spirituals worlds to become a goddess and protector of others.

To Be Continued

The next posts will further explore the heroine’s journey with particularly emphasis on Celtic mythology of powerful women and goddesses.

References

Joseph Campbell, The Hero with a Thousand FacesBollingen Series XVII Third Edition; Joseph Campbell Foundation; New World Library, Novato, 2008.

Valerie Estella Frankel, From Girl to Goddess: The Heroine’s Journey through Myth and Legend; McFarland & Company, Inc., Jefferson, North Carolina, 2010,

Maureen Murdock, The Heroine’s Journey: Woman’s Quest for Wholeness; Shambhala Publications, Inc., Boston, MA, 1990.

Symbols of Minoan Culture

The following is a reblog from ETERNAL ATLANTIS on the continuing series of the Ancient Minoan Society. This post is entitled, “Symbols of Minoan Culture,” that was posted on FEBRUARY 26, 2016 / CAV12

There were a number of significant symbols the Minoans used in their rituals and way of life. These symbols were not unique to the Minoans, but have been cross-culturally as representative of the Mother or Earth Goddess.

Enjoy the fascinating and informative post.

Luciana Cavallaro

There were a number of distinctive symbols the Minoans cultivated that had significant importance in their rituals and way of life. These distinguishing elements were not unique to the Minoans, which distinguished historians have identified were more cross-cultural, much like the representation of the Mother or Earth Goddess. The origins and similar features are evident (see article by J. Alexander MacGillivray) yet the purpose of the Minoan symbols evolved according to their needs and religious tenets. The main icons were the labrys, the bull horns, bees, and snakes.

View original post 595 more words

Ancient Celtic Religion: Ancestral Gods and Mother Goddess


Myths of the Great Goddess teach compassion for all living beings. There you come to appreciate the real sanctity of the earth itself, because it is the body of the Goddess
—Joseph Campbell

 

Introduction

As we continue exploring the mystique of the Ancient Celtic religion, we discover their beliefs have similarities to the Greeks and Hindu Brahmins. The belief in the immortal soul can be tied to the darker Celtic side of keeping enemy heads so they can capture their power. There were 374 names of gods and goddesses recorded throughout the vast area once inhabited by the Celts in Europe, from Ireland to Turkey. Of these names, about 305 of these only occurred once and are thought to be names of local deities particular to each tribe. Only twenty names occur with great frequency in the areas where the Celts once resided and were often associated with the Roman pantheon of deities.

Unfortunately, written accounts by the Celts were sparse. Today, we must rely on Greek and Roman writers, Irish Christian monks, and archaeological artifacts to piece the Ancient Celtic religion together. Classical writers were biased by their perception of Celts being barbarians. Celtic myths written by Christian monks were heavily redacted to reconcile them with the Christian beliefs. Even though the evidence is fragmentary, we can glimpse some of the religious ideas and rituals connected with the pantheon of Celtic deities and their roles by studying the mythology and comparing it to archaeological evidence.

Below is an overview of how the ancient Celts viewed their ancestral god and their belief that the Mother Goddess was involved in the creation of the universe.

Collapse White Cliffs Wall Britain

Coastal White Cliffs Near Dover, Britain


Ancient Celtic Religion

Ancestral Gods

Caesar and the insular literature indicate the Celts did not look upon their gods as creators but as their ancestors—more as supernatural heroes and heroines. In the lives of these gods and heroes, goddesses, and heroines, the lives of the people, in their emerging patriarchal society and the essence of their religious traditions, were mirrored. The gods and goddesses were depicted as human and were subject to all the natural virtues and vices in an idealized form: love of nature, arts, games, feasts, hunts and heroic single-handed combat. Their intellectual powers were equal to their physical abilities. This depiction of gods as ancestors also appears in Hindu myth and saga.

Panel on Gundstrup Cauldron

Cernunnos, Antler-God of the Forest, Portrayed on Panel of Gundestrup Cauldron

Pomponius Mela, a Roman historian at the time of Claudius 43 AD, states, “The Druids profess to know the will of the gods.” Hence, the Druids were viewed as the conduits between the moral and immortal world. There is an old Irish passage in which the Druids, like the Hindu Brahmins, boasted they had made the sun, moon, earth and sea. In Vedic mythology (historical predecessor to modern Hinduism), creation began with space (aditi) in which sky and earth were formed and were regarded as the original male and female elements.

Lunar Eclipse

Blood Moon


Mother Goddess

The ancient Irish bards deemed the river’s edge, the brink of the water, was always that place where wisdom, knowledge and poetry were revealed. Irish tales suggest the Ancient Celts believed creation evolved around the Mother Goddess.

Rhône River Hillside

Saône River Hillside Near Lyon, France

In one tale, the children of the Mother Goddess, Danu, arrive in Ireland to battle the evil Fomorri, whose own Mother Goddess is Domnu. The Irish epic tells of several struggles between the Children of Danu, representing darkness and evil, and the Children of Danu, representing light and good. Only after the Children of Danu break the powers of the Fomorri at the second Battle of Magh Euireadh did the good gods prevail. Interestingly, the Children of Domnu are never completely overcome or eradicated from the world.

The Children of Danu came from four fabulous cities where named Druids taught them skill, knowledge and perfect wisdom. Further, the Children of Danu brought special treasures from these cities:

  • Lia Fáil (Stone of Destiny) from Falias
  • Sword from Gorias (the forerunner of the famous Excalibur)
  • Spear of victory from Finias
  • The Dagda’s cauldron of plenty from Murias
Celtic Cauldon Gundstrup

Gundestrup Cauldron

The Dagda is portrayed as the father of the gods in this epic tale. This is significant because The Dagda is Danu’s son by Bilé. As the sacred waters leave from the heavens, Danu waters the oak, Bilé’s male fertility symbol, and gives birth to The Dagda—the good god who fathers the rest of the gods.

Dagda Gundestrup cauldron

The Dagda Portrayed on Gundestrup Cauldron

Bilé is the Old Irish word for a sacred tree which was also used to denote a ‘noble warrior.” Bilé’s role in transporting the souls of the dead Celts to the Otherworld is significant. Transportation is usually via rivers like the Thames or out to the sea. He is, in essence, transports souls to the divine waters – his consort Danu, the Mother Goddess. Hence, Danu takes precedence as the primary source of life. More will be discussed below about the association of Bilé with Apollo.

Cork Oak Tree at Arundel Castle and Gardens

Cork Oak Tree; ‘Druid’ derived from ‘dru-wid’ — “Oak Knowledge”


Overview of Celtic Dieties

Celts did not visualize gods with exclusive roles. Not only did their deities have different functions – and therefore were polyvalent— they also appeared in various forms—and thus were polymorphic. Another common feature associated with these deities is votive offerings that were offered at lakes and rivers to win the favor of the gods. Their links with water, trees, and groves suggest the Celts worship earth gods as opposed to the sky gods of the Greeks and Romans.

Bath Roman Bath Britain, dedicated to Celtic goddess Sulis, whom the Romans identified with Minerva

Bath Roman in Bath Britain; Dedicated to Celtic goddess Sulis, whom the Romans identified with Minerva

Julius Caesar associated the Celtic gods in Gaul with Roman deities as follows:

“They [Celts] worship chiefly the god Mercury; of him there are many symbols, and they regard him as the inventor of all the arts, the guide of travelers, and as possessing great influence over bargains and commerce. After him they worship Apollo and Mars, Jupiter and Minerva. About these they hold much the same beliefs as other nations. Apollo heals diseases. Minerva teaches the elements of industry and the arts. Jupiter rules over the heavens and Mars directs war.”

Minerva, Goddess of Wisdom

Minerva, Roman Goddess of Wisdom

Caesar also recorded the Celts in Gaul believed they were descended from Dispater, which the Romans associated with the god of the underworld and of the night. The 18th Century French Historian, Henri D’Arbois de Jubainville, identified the Dispater as the Celtic god Bilé (also known as Bel, Belinus and Belenus). His feast day was celebrated on 1 May (Beltane). As discussed above, Bilé appears to be a god of the dead and is portrayed as Danu’s consort.

Beltane Celebration

Bonfire During Beltaine Festival Celebrated 1st May

Writing a century after Caesar, the Roman poet Lucan gave particular prominence to the names of three gods: Teutates, Taranis and Esus. Taranis could be equated with Jupiter, as the name survives as toran in Welsh and torann in Irish which are interpreted as meaning thunder. Esus was considered to be equivalent to the god of war Mars.

Teutates Celtic God of War on Gundstrup Cauldron

Teutates on Gundestrup Cauldron

Celtic gods were often depicted with female companions. When patriarchy replaced the “mother goddess” concept, the new male gods had to consort with the old female river goddesses to retain continuity with the old beliefs. A raven, the Celtic symbol of death and battle, perches at their feet. The marriage of a chieftain god with a Mother Goddess was viewed as assuring the people of protection and fertility.

Mythological Raven

The Raven, Celtic Symbol of Death and Battle

After Christianity achieved dominance in the Celtic world, the ancient gods were relegated to dwell in the hills. In Irish, the word sidhe means mound or hill and denotes the final dwelling places of the Dé Nanaan, the Immortals, after their defeat by the Milesians. The ancient gods, thus driven underground, were relegated in folk memory as the des sidhe, the people of the hills or in later folklore as simply fairies. The most famous fairy is the banshee (bean sidhe), the woman of the fairies whose wail and shriek portends a death. Each god was allotted a sidhe or hill in Ireland by The Dagda before he gave up his leadership of the gods.

Bilé’s Association with Apollo

To judge from inscriptions, the most venerated god was Belenus who can be most closely equated to Apollo. There is evidence of his cult in southern Gaul and northern Italy, and he may have given his name to Beltane, the Irish festival celebrated on the first of May. Worship of him proved to be enduring. Ausonius of Bordeaux, writing in the 4th Century, mentioned a contemporary of his who was a grandson of Phoebicius, a temple priest of Belenus, and whose family bore names associated with the great Apollonian shrine at Delphi.

Apollo-WaltersArs

Apollo, God of Sun; Associated with Celtic God Bilé, also known as Bel and Belenus

There are many places named after Bilé throughout Europe. In London, Belenus’ Gate is known as Billingsgate (Bilé’s gate). Presumably the heads of the dead at the original Celtic settlement, and later at the Roman occupied city, were taken though this gate to the river Thames—tamesis, the dark or sluggish river. The human heads were used as votive offerings or simply placed for Bilé to transport them to the Otherworld. Hundreds of skulls from the Celtic period have been discovered in the Thames, around London, with other votive offerings.

As previously discussed in APOLLO’S RAVEN, the ancient Celts believed the soul reposed in the head, not in the region of the heart as Western Christians now have it. That is why the head was so venerated and prized. In one Welsh tale, the mortally wounded Bran the Blessed urges his companions to remove his head and take it back to the Island of the Mighty (Britain) for burial. It takes many years and Bran’s head eats, drinks, and instructs the soldiers on the journey back. The head is buried (legend has it that the site was Tower Hill in London) looking toward France so that, in accordance with Celtic custom, he could protect the land against invasion. Many other examples of talking heads of slain heroes are found in Celtic myth.

Stonework at La Roquepertuse Cult of Head

La Roquepertuse Doorway of Skulls

Connecting the many human skulls found in the Thames, together with exquisite swords, shields, helmets and other votive offerings, suggests the Thames could have been a sacred river for the British Celts, occupying the same role as the worship of rivers, springs or wells in Central India.

Celtic Battersea Shield

Celtic Battersea Shield

Bilé was incorporated in many personal Celtic names, the most famous being Cunobeline, who ruled just before the Roman invasion of AD 43. His name means ‘hound of Belinus’. He was later immortalized as the King of Britain in the Shakespearean play entitled, “The Tragedy of Cymbeline.”

To be continued

The next post will provide a more detailed description of the Celtic gods and goddesses.

References

  1. John Davies, The Celts: Prehistory to Present Day; 2005; Sterling Publishing Co., New York.
  2. Julius Caesar, translated by F. P. Long, 2005. The Conquest of Gaul; United States: Barnes & Noble, Inc.
  3. Peter Berresford Ellis, The Druids, 1995William B. Eerdmans Publishing Co., Grand Rapids, MI.
  4. Steve Blamires, Magic of the Celtic Otherworld: Irish History, Lore & Rituals, 2009, Llewellyn Publications, Woodbury, MN.
  5. Joseph Campbell, The Power of Myth with Bill Boyers, 1991Doubleday, New York, NY.